The Similarities Between Classical Music and Ellingtons Jazz Essay

One of the niftyest tragedies in the 20th century piece of ass be seen in the debasing of the idle words genre as a unworthy equal to its predecessor, European incorrupt music. This evoke be seen in various statements about Jazz, such as Boris Gibalin commit, The Jazz frenzy has taken on the character of a lingering illness and essential be cured by means of forceful intervention.1 This combat can be traced through out the history of Jazz, as definitive composers have relatively disregarded this new type of music. Before Duke Ellingtons Cotton Club performances, Jazz play on the radio was delegated for new night audience only. This sub-culture treatment has led many critics to disregard the Jazz movement as a dance craze, or unsuccessful recreations of Classical pieces. This slandering of Jazz has not only created a false image of the music, scarcely it has also lead to a full disconnection between the 2 genres. It is for this reason that I propose in my paper to sh ow the alliance between these deuce musical categories. My hopes in demonstrating these similarities is to disassemble the schism of ignorance make between the two, and place both Jazz and Classical music on equal footing. Critics of Jazz have always perpetuated this schism by utilizing the cogitate behind Jazz, that of it being a free form interpretation, to question the authenticity of calling a Jazz leader a composer. For how can wholeness be styled as a proper composer and still remain legitimate to the Traditional Jazz concepts? The classic composer has at their disposal highly handy musicians who are trained to work within professional bodies, such as a symphony orchestra or string quartet, and who then relies on the ability of these professionally trained bodies to interpret his scores as he sees fit. On the surface this appears to run contradictory to the Jazz composer whom, Has to write for specific combinations which do not exist until he brings them into being, and to rely on highly single(a) executants whose personal style must be blended together to invest expression to his own ideas withoutlosing their individuality.2 Yet to interpret this blending of highly individualistic sounds as proof of a schism between this and the rigidly structured Classical composer is a false impression. This fallacy can be attributed to overemphasizing the sporadic and improvisational aspects of Jazz and refusi... ...usical category. From Bach to Mozart, Beethoven and even Tchaikovsyky employed it as a stylistic feature in their pieces. In conclusion, angiotensin-converting enzyme can see the shared characteristics of the two musical styles. Yet I bob up myself pressing again the reasoning for this paper, for I must submit that I am in no way declaring that Classical music equates Jazz. The two musical categories are different in numerous ways, but one must wonder does this difference justify the mistreatment of Jazz. Throughout history great innovations have been created not thought the passive means, but through the overflow fires of dissent. Classical music has born the scars of numerous dissenting musicians, all of who straight stands as pinnacles of their craft. Yet now we have arrived at a measure in which this reverent originality has become cause for scorn, and it is this debasement that I am addressing. By showing the similarities of the two genres, I had hoped in quenching this averting for Jazz. This musical elitism that is being perpetuated can lead only to a bootleg finale for all who engage in it. Duke Ellington has it right when he stated, thither are only two types of music, good music and the rest.18